On that note, been feeding my 9yr old a bunch of AMP YouTube videos and she is setting up macros and everything for me. Power it up for service, do our thing, shut it all down. Stick it on a bracket in a subtle spot, run some wires as neatly and inconspicuously as possible and call it a day. Since I'm looking for a full or at least partial fixed installation, with as minimal visual impact to the congregation as possible, I find this type of camera quite attractive. Looking at Marshall's website my immediate thought was 'oh, I bet these guys supply cameras for for close-up 'on the line' angles and other POV shots'. Really appreciate the feedback! I think you've given me enough to continue doing research and hopefully find my way.

Good friend of mine does camera shading for Fox Sports and frequently uses marshall for pov shots, above the glass in basketball, etc and he says he can shade them to the point where the average viewer can't tell the difference between that and a 100k Sony camera (I'm not implying this camera is anywhere near that in terms of functionality or image quality) but for the minimal amount of time those shots are used your eyes don't realize you've gone from looking through a 100k camera to a 500.00 camera.

For the size and cost nothing beats them for a live application. I'm quite familiar with Marshalls and they are a staple in my mobile production units and they are my go to for fixed installations. Good image quality, best of the ultra wide angle lenses I tested (2.8-12, 2.2-6, 4-15) with respect to image quality, color and had the least amount of distortion around the edges (any lens in this focal length is going to have edge distortion. _8_to.htmlįujinon 2.8-8 - for wide angle. For a 10x the image quality is really great!. focal.htmlįujinon 8-80 - sometimes not wide enough but outstanding image quality and better zoom. Marshall 5-50 - good focal length range, good image quality.

Blackmagic atem mini